Instant Karma

Brooding Works Wonders

So I write a piece about the ups and downs of the writing life–receiving rejections, specifically–so naturally, I received a clutch of mondo cool theatres (which shall remain nameless unless some great happens) asking to see my work. Never fails (except when it does).

Also in the Department of Great Things, I just got word that “The Centering,” a one-man show I wrote with Portland actor extraordinaire Chris Harder, gets a two-week extension at CoHo Theatre after a three-week stand at Portland’s Shoebox Theatre…and to top it off, The Oregonian gives it the kind of review that goes down like a hot buttered rum on a freezing day:

‘The Centering’ gets additional two-week run at CoHo Theater

Maybe I should whine more often.

So Many Theatre Openings, So Little Time


So the other show I’m involved in and is opening August 19th is Fishing For My Father; because Next of Kin and Fishing open the same night, I’m going to have to wait a week to see Fishing…which is a pleasurable sort of dilemma.

Fishing for My Father really isn’t my show. It’s actor/producer/playwright/wunderkind Chris Harder’s (with whom I co-wrote The Centering a couple years ago). I just contributed to some monologues that served as a jumping off point for Chris’s extravagantly versatile imagination. I can’t wait to see what he’s come up with, in company with some of Portland’s most talented theatre makers (except yours truly, who’s kind of the Rain Man of the bunch). Details follow below.

Break a leg, Mr. Theatre Wizard….

——-

Fishing For My Father
Playing at the CoHo Theatre
August 19, 2010 through August 29, 2010

A family fishing trip turns adventure as an outdoorsman struggles to discover the meaning of fatherhood.

This inventive solo show is packed with traditional monologues, impressionistic dance and surreal clown antics, along with original music and recorded interviews from the community. A fast-paced, funny and heartwarming world premier you won’t want to miss!

Devised with some of Portland’s top theatre makers, Chris Harder collaborates with Jonathan Walters (Hand2Mouth Theatre), Philip Cuomo (Third Rail Rep), Steve Patterson (Oregon Book Award), Christine Calfas (Dance/Movement), Gretchen Corbett (Third Rail Rep), Rebecca Martinez (Sojourn Theatre), Tim Stapleton (Set), Jim Davis and Jonathan Kreitler (Music).

A Good Day in Splattworld


It’s that time of year again, when the children wait expectantly for the presents to arrive…. Yes. I’m talking about the announcements of Regional Arts and Culture Commision’s (RACC) project grants for artists. This year, I’m tied to two projects which have won grants; the following descriptions are from the RACC site:

Portland Theatre Works Next of Kin LabWorks. Portland Theatre Works will produce an intense developmental workshop of Steve Patterson’s play Next of Kin, which had a well-received developmental reading in our FreshWorks program in October 2008. In the play, set in rural Oregon during the height of the Iraq War, Mike is a Marine Casualty Assistance Officer, who informs parents and spouses their loved one has been killed.

Chris Harder, Fishing For My Father. From my personal experience as an adopted child, meeting my biological father, and becoming a sperm donor myself, I am inspired to explore the complex quality of love that is shared between children and their fathers and how diverse circumstances influence who we are. By using fishing as a common thread I aim to discover the significance that shared moments and memory have in our lives.

In the case of Mr. Harder’s piece, I’m writing a quartet of monologues. (Chris and I worked together on The Centering, for which he won a Drammy Award as best actor.) So that means I have some writing to do, plus a rewrite of Next of Kin, plus two plays in January’s Fertile Ground New Works Festival (The Rewrite Man as part of the Pulp Diction new works reading series, and Riffs, a short play as part of Introducing…Playwrights West, readings from a new theatre company I’m involved with…called, not suprisingly, Playwrights West. You can buy tickets to both events through the Fertile Ground Web site.)

This is the nature of theatre. In 2007, I won the Oregon Book Award, tra la, my future was golden, all I had to do was wait for the offers to come cascading in, and…nothing happened. I got a lot of writing done this past year, but had not a single production. In 2010, well, I’m already exhausted thinking about it.

Anyway, congratulations to Mr. Harder and to Mr. Andrew Golla at Portland Theatre Works, and to all the other RACC recipients. If you want to check out the other granted projects, the info can be had at RACC Project Grants for 2010

Plus, depending on how things go, I might be writing a non-fiction book, and I have a bunch of new plays to market.

In other words, maybe I’ll get to sleep next year. A little. Maybe.

Good times.

S