Tag Archives: Oregon Arts Watch

Boombardment, Episode 19: Dying Without Your Grace

Splattworks continues its presentation of Bombardment, a two-act drama by Steve Patterson. The author will attempt to post an installment each day, but, if events intercede, installments could arrive a day or so apart. So please be patient.

[EPISODE 19]

CARMELITA: You’ll fight the killers and crazies and soldiers with their guns? You’ll fight the mothers defending children? Urchins with bony, grimy fingers? Beggars and blown up men on scooterboards? You’ll fight and fight ’til there’s no one left to fight?

The cords wind around them, sewing them into their armchairs. Lights begin to flash. Wind rises.

PLACID: It’s. . .life. It’s time. The way it goes.
CARMELITA: It’s not the way it goes. You can break it. You can let them in.
PLACID: I know them. They’ll kill me.
CARMELITA: You have to lead them, Placid. You’re like them. Understand them. They’ll sense that. Trust you. They’ll be grateful.
PLACID: It’s been going on so long!
CARMELITA: Time means nothing to a leader. They’ll crown your head with laurels. They’ll give you all you want in a way that you deserve. Out of gratitude. Out of love. Reward them, Placid. And they’ll reward you. Give them not the back of your hand, but your palm.
PLACID: (Looks down at the cords.) It’s too late.
CARMELITA: It’s not too late. Get up. Lead them.

PLACID makes a move but the cords tie him in. Lights flash faster. Wind grows louder.

CARMELITA: Placid? Placid!
PLACID: It’s the law!
CARMELITA: It’s a lie, Placid. It means nothing. You can do it.
PLACID: It’s too hard!
CARMELITA: No, Placid. It’s so easy.
PLACID: They’ll kill us! I’m afraid!
CARMELITA: Don’t say it!
PLACID: It’s too scary! We need them!
CARMELITA: Don’t say that! Don’t let them know!
PLACID: It’s too hard! It’s too scary! We need them back!
ARETHA/CORNO: We don’t want to come back.
CARMELITA: They don’t want to come back.
ARETHA/CORNO: We been wrong too long.
PLACID: You have to come back! They’ll kill us if you don’t!
ARETHA/CORNO: We’ve come. We’ve gone.
CARMELITA: This is wrong, Placid!
PLACID: We’re scared! You have to take care of us!
ARETHA/CORNO: We can’t see the way for you.
PLACID: You have to! We’ll die! We’ll die without you!
ARETHA/CORNO: We have ended.
PLACID: We’ll die without your grace!
ARETHA/CORNO: We want but silence.
PLACID: But they’ll get in! They’ll get your stuff! Your dress and your pipe!
ARETHA: My dress.
PLACID: They’ll carry it off! Cut it up for bandages!
CARMELITA: Placid!
CORNO: My pipe.
PLACID: Your pipe and your shoes! Come look at your shoes!

Lights flash violently. Wind howls.

CORNO: My suit. My tie.
PLACID: It’s yours! See? Come back and take it!
CARMELITA: This is wrong! This is crazy!
PLACID: But you want him.

[To be continued]


Bombardment, Episode 13: Peace, How We’ve Longed for You

Splattworks continues its presentation of Bombardment, a two-act drama by Steve Patterson. The author will attempt to post an installment each day, but, if events intercede, installments may occur a day or so apart. So please be patient.

[EPISODE 13]

ACT II

SCENE I

PLACID and CARMELITA sit in the armchairs. CARMELITA’s shopping cart is overturned, her stuff spread all over the stage–balloons, trinkets, gobs of colorful, wadded paper: a toy chest emptied for Mardi Gras. PLACID and CARMELITA have exchanged clothes with ARETHA and CORNO. PLACID reads the newspaper. CARMELITA curls up in her armchair. She has PLACID’s bag of surprises beside her. No matter what she does, PLACID does not react. CARMELITA takes out a pair of pruning shears, plays that they are shark jaws.

CARMELITA: (Singing “Mack the Knife”) Oh the shark has pretty teeth, dear/And he keeps them pearly white. . .. (Rummages, rummages. Comes up with a banana. Swims it past her. Singing “Sub-Mission” by the Sex Pistols) I’m on a submarine mission for you, bay-bee. . .. (CARMELITA makes bubble sounds as the banana “submerges.” Puts it back. Takes out a hacksaw. Puts it to her throat.) No. . .please. I’ll tell you where the treasure is! I will! Just don’t. . .don’t. . . arrrghghghghghh. (Her head falls forward. Lets it hang.) Arrrghghgh? (CARMELITA puts the saw away. Takes out an awl, and pretends to tie her arm off and shoot up, but can’t stomach it.) Awful. (CARMELITA returns the awl to the bag. Very slowly pulls out the long carving knife.) Oh, it is a long way to Tipperary. Just an extremely long way. No matter how you try to get there. Whether walking or flying or swimming like a fish. It’s an extremely long, difficult way to go. Wherever the hell Tipperary is. Know where Tipperary is, Placid? Well, I’ll tell you. Tipperary is nowhere. Maybe it was somewhere once, but it’s nowhere now. It’s a song. It’s in songland, and not even a song people know anymore. It’s in the Lower Slobbovia of songland. Peace. How we’ve longed for you. Listening, Placid? (She pricks her finger with the knife.) Ow! Shit. (She gets up, slips into a pair of pumps with stiletto heels. Picks up the knife.) I’m stalking. I’m stalking the beast. Oh, it’s a fierce beast. Got long, jagged teeth. Scaly skin. And, and…it’s invisible! It can eat you, and you’ll never see it. Even when the teeth tear into your flesh. Oh, you see the holes ripping, the blood. You’ll feel it. Definitely. But you’ll never see it, even after you’ve been eaten. Even when you’re deep in its guts. You’ll just dissolve. Become part of it. Then you’ll be invisible too.

[To be continued]


Bombardment Gets a Little Ink

Oregon Arts Watch, courtesy of Barry Johnson, gives the “Bombardment” experiment a little ink. Good stuff.