Solace

So, being dutifully brought up on Sean Connery’s Bond (along with trout fishing and science fiction, something I shared early with my journalist father), it’s been gratifying to see Daniel Craig bring the cool back to the James Bond films, which it lost when Mr. Connery hung up his dinner jacket and toupee. Craig’s Bond is more Steve McQueen than Connery, but, what the hell, if you like Connery, you’re bound to like McQueen because, well, he was if anything, cooler than Bond. (Some could make the case that Steve McQueen was as cool as one can possibly get, without being John Coltrane, but arguing about such things is rather, uh, less than cool.)


To cut to the chase scene: Quantum of Solace has many of them, and they’re extraordinarily good, and Craig is great, his Bond is the smartest guy in the room, and the quips are spare and droll, a welcome antidote to the jokey Bond films of the 70s. The story’s not quite as rich as Casino Royale, but the film’s still among the best in the series. Which is saying something out of 22 films, six of which were made by actor who owned the role like a king.

In short, it’s a great ride, you completely forget whatever’s bothering you for a few hours, and, afterwards, there’s a little snap in your stride, and your eyes feel ever-so-slightly hooded as you fire up the car.

But don’t peel out. You don’t need to. Consequently, it would be uncool. Wouldn’t it?

About Steve Patterson

Steve Patterson has written over 50 plays, with works staged in Portland, Los Angeles, Chicago, Detroit, Austin, Tampa, and other U.S. cities as well as in Canada and New Zealand. His works include: Waiting on Sean Flynn, Next of Kin, Farmhouse, Malaria, Shelter, Altered States of America, The Continuing Adventures of Mr. Grandamnus, Bluer Than Midnight, Bombardment, Dead of Winter, and Delusion of Darkness. In 2006, his bittersweet Lost Wavelengths was a mainstage selection at Portland Center Stage's JAW/West festival, and, in 2008, won the Oregon Book Award (he also was an OBA finalist in 1992 and 2002). In 1997, he won the inaugural Portland Civic Theatre Guild Fellowship for his play Turquoise and Obsidian. View all posts by Steve Patterson

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