Ah, the new axe. An Epiphone Sheraton II, which is more or less a Gibson ES-335 without a varitone switch. But it does have those twin humbuckers, and, whilst playing an obscure folk tune called “Street Fighting Man,” I found that if you crank the volume on the pickups, with the bridge on treble and the neck on bass, and then crank up the gain and volume on the amp (for all intensive purposed a Vox AC30), the resulting sound resembles an F-18 leaving the deck of an aircraft carrier.

In short, I love this fucking guitar.

About Steve Patterson

Steve Patterson has written over 50 plays, with works staged in Portland, Los Angeles, Chicago, Detroit, Austin, Tampa, and other U.S. cities as well as in Canada and New Zealand. His works include: Waiting on Sean Flynn, Next of Kin, Farmhouse, Malaria, Shelter, Altered States of America, The Continuing Adventures of Mr. Grandamnus, Bluer Than Midnight, Bombardment, Dead of Winter, and Delusion of Darkness. In 2006, his bittersweet Lost Wavelengths was a mainstage selection at Portland Center Stage's JAW/West festival, and, in 2008, won the Oregon Book Award (he also was an OBA finalist in 1992 and 2002). In 1997, he won the inaugural Portland Civic Theatre Guild Fellowship for his play Turquoise and Obsidian. View all posts by Steve Patterson

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