Where we last left Luke Murphy, he’d been seriously injured playing hockey, did not know if he’d ever return to the sport, and began to explore his alternatives. One of those involved taking up the pen…
I really enjoyed the process: coming up with a plot, developing characters and organizing a setting, problem and conclusion. It only lasted a couple of weeks, and once we were done, I kind of missed inventing, creating my own little world and characters.
I remember walking to my bedroom one morning and seeing my roommate’s laptop sitting on the desk, and I thought…why not?
I sat down at the desk, took the characters my girlfriend and I had created, and wrote an extension to the story we had written together.
I didn’t write with the intention of being published. I wrote for the love of writing, as a hobby, a way to pass the time. Even after my eye healed up, and I returned to hockey, I continued to hobby write through the years, honing my craft, making time between work and family obligations.
Then I made a decision to take my interest one step further. I’ve never been one to take things lightly or jump in half way. I took a full year off from writing to study the craft.
I constantly read, from novels in my favorite genres to books written by experts in the writing field. My first two purchases were “Stein on Writing”, a book written by successful editor Sol Stein, and “Self-Editing for Fiction Writers” by Renni Browne and Dave King.
I read through these novels and highlighted important answers to my questions. My major breakthrough from Stein’s book was to “Show don’t Tell”. I had to trust my readers. I even wrote that phrase on a sticky note and put it on my computer monitor.
The Self-Editing book helped me learn how to cut the FAT off my manuscript, eliminating unnecessary details, making it more lean and crisp, with a better flow. I learned to cut repetition and remain consistent throughout the novel.
I continually researched the internet, reading up on the industry and process “What is selling?” and “Who is buying?” were my two major questions.
I attended the “Bloody Words” writing conference in Ottawa, Canada, rubbing elbows with other writers, editors, agents and publishers. I made friends (published and unpublished authors), bombarding them with questions, learning what it took to become successful.
Feeling that I was finally prepared, in the winter of 2007, with an idea in mind and an outline on paper, I started to write DEAD MAN`S HAND. It took me two years (working around full time jobs) to complete the first draft of my novel.
The first person to read my completed manuscript was my former high school English teacher. With her experience and wisdom, she gave me some very helpful advice. I then hired McCarthy Creative Services to help edit DEAD MAN’S HAND, to make it the best possible novel.
I joined a critique group, teaming up with published authors Nadine Doolittle and Kathy Leveille, and exchanging manuscripts and information. Working with an editor and other authors was very rewarding and not only made my novel better, but made me a better writer.
When I was ready, I researched agents who fit my criteria (successful, worked with my genres, etc.) and sent out query letters. After six months of rejections, I pulled my manuscript back and worked on it again. Then in my next round of proposals, I was offered representation by the Jennifer Lyons Literary Agency.
After months of editing with Jennifer, and more rejections from publishers, my dream was finally realized in April, 2012, when I signed a publishing contract with Imajin Books (Edmonton, Alberta).
Even today, a year after publishing my first book, I’m stall amazed at the direction my life has taken. Never in my wildest dreams would I have believed I would someday get paid to write books. Sometimes life can be impossible to predict.