Doors and Windows into the Past


We went to Pompeii in the morning, arrived around 9:30. The sky was clear, but there was a bit of haze, so there were good shadows and colors but also good detail as there wasn’t too much contrast. I didn’t have any particular idea in mind when I was shooting, and it wasn’t until I got home that I realized I’d kind of instinctually used doors and windows to frame one another, and, along with the detail afforded by the G10, I ended up pretty pleased with the results. I’m still working on cropping, optimizing, and printing the photos, but I’m kind of hoping I can make some kind of series out of it. Anyway, here’s a few of the Pompeii shots. It’s a weirdly magical place, both beautiful and tragic. I wouldn’t want to be alone there at night.

About Steve Patterson

Steve Patterson has written over 50 plays, with works staged in Portland, Los Angeles, Chicago, Detroit, Austin, Tampa, and other U.S. cities as well as in Canada and New Zealand. His works include: Waiting on Sean Flynn, Next of Kin, Farmhouse, Malaria, Shelter, Altered States of America, The Continuing Adventures of Mr. Grandamnus, Bluer Than Midnight, Bombardment, Dead of Winter, and Delusion of Darkness. In 2006, his bittersweet Lost Wavelengths was a mainstage selection at Portland Center Stage's JAW/West festival, and, in 2008, won the Oregon Book Award (he also was an OBA finalist in 1992 and 2002). In 1997, he won the inaugural Portland Civic Theatre Guild Fellowship for his play Turquoise and Obsidian. View all posts by Steve Patterson

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