Come Down and Get It


So I guess my question is, how wasted does one have to get to play this correctly:

VENTILATOR BLUES

Guitar 1 main riff
^
E————————
B————————
G——–0-0-X-3-X–0—0
D——–0-0-X-3-X–0-3-0
A——1—————–
E—3——————–

Optional Guitar 2 main riff
^
E———————————
B——————————–
G————–0—3—0——0–
D———-0—————3—–
A——1————————-
E—3—————————-

X = hit strings with right hand or heavy palm muting

^ = bend ½

Guitar 2 during chorus

Gm Bb F
Ain’t nobody slowing down no way
C (main riff) 2x
Everybody’s stepping on their accelerator
Gm Bb
Don’t matter where you are
F C
Everybody’s gonna need a ventilator

Main riff

Gm Bb F
Everybody walking ’round
C (main riff) 2x
Everybody trying to step on their Creator
Gm Bb F
Don’t matter where you are
(C)
Everybody, everybody gonna need

Guitar 1 Solo (coming soon)

Guitar 2 Main riff to end

Some kind of ventilator (randomly said to end)

About Steve Patterson

Steve Patterson has written over 50 plays, with works staged in Portland, Los Angeles, Chicago, Detroit, Austin, Tampa, and other U.S. cities as well as in Canada and New Zealand. His works include: Waiting on Sean Flynn, Next of Kin, Farmhouse, Malaria, Shelter, Altered States of America, The Continuing Adventures of Mr. Grandamnus, Bluer Than Midnight, Bombardment, Dead of Winter, and Delusion of Darkness. In 2006, his bittersweet Lost Wavelengths was a mainstage selection at Portland Center Stage's JAW/West festival, and, in 2008, won the Oregon Book Award (he also was an OBA finalist in 1992 and 2002). In 1997, he won the inaugural Portland Civic Theatre Guild Fellowship for his play Turquoise and Obsidian. View all posts by Steve Patterson

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