Bombardment, Episode 16: Sometimes a Pipe is Just a Pipe

Splattworks continues its presentation of Bombardment, a two-act drama by Steve Patterson. The author will attempt to post an installment each day, but, if events intercede, installments could arrive a day or so apart. So please be patient.

[EPISODE 16]

CARMELITA: I see him on his boat. Wearing his thick sweater, his plush woolen trousers. His hands upon the wheel. Steering. Turning. The prow cutting the waves. The spray. He’s standing in the sun. He’s standing in the sun, and he’s got that smile. Wind catching his hair, but he’s got that smile. The brilliant, too-large teeth. The trembling lips. His eyes squinting at the sun, at the wind, and you see through his eyes. You see tomorrow. It’s bright and it glistens in the wind, sharp and brilliant with promise. Oh yes. It’s right there in his eyes. In his smile. It’s there. There. It is right there. It’s still there. Oh god, it’s still there. Here. It’s here. He’s still here! Dear lord, he’s still here!

CARMELITA’s breath breaks into moans. PLACID continues reading. In the background and from opposite ends of the stage, ARETHA and CORNO slowly emerge from darkness. Dressed like PLACID and CARMELITA in Act I. Distant. Cool in shades. They are invisible to PLACID and CARMELITA. Everyone should be in place just as CARMELITA is about to orgasm. Suddenly, she stands.

CARMELITA: No! No.

Carefully, she places the pipe back in the rack. She grabs the carving knife.

CARMELITA: It’s here. The beast is here. I can smell it. Thought the smell was something else. Placid. Placid!

CARMELITA walks in front of PLACID, and cuts his paper in half.

PLACID: What the hell was that?
CARMELITA: Stock split.
PLACID: You know what that was? That was the newspaper. That was the last newspaper. There won’t be any more. That means we’re out of news. We won’t know what’s going on.
CARMELITA: What’s happening is–
PLACID: Wind.
CARMELITA: Wind? What wind?
PLACID: Winds of change. Yeah. Winds of change blowing. We got to be ready. Gotta be prepared.
CARMELITA: Or what?
PLACID: Or else we get blown away, babe. Plain and simple.
CARMELITA: A regular hurricane.
PLACID: That’s right. We’re right in the eyes and–
CARMELITA: Eye.
PLACID: Huh?
CARMELITA: Eye. Hurricane’s only have one eye. Go ahead.
PLACID: We’re right in that eye. Here, it’s calm. Real calm. But out there, right out there, it’s the worst midnight on the worst road of the worst winter. Believe you me. Right out that door it’s trees pulled out of the ground, roof tiles flying like hatchets, little girls and their dogs carried off.
CARMELITA: So we stay in the eye? We never move because of this hurricane?
PLACID: No. The hurricane shifts. Today it’s here, tomorrow it’s over there. And the eye moves with it. The stuff. We got this stuff now.

[To be continued]

Bombardment, Episode 15: Phosphorescent Love Lines

Splattworks continues its presentation of Bombardment, a two-act drama by Steve Patterson. The author will attempt to post an installment each day, but, if events intercede, installments may occur a day or so apart. So please be patient.

[EPISODE 15]

CARMELITA’s handling of the pipe becomes a caress.

CARMELITA: Corno. What a name. Cornpone. Cornball. Quick with a joke. Oh yeah. That time in her bed. Some joke. Guess he treated me decent. Decent as she did. She could be nice. On occasion. Course, she needed me. She had everything she wanted, everything she thought she needed. She ended up more alone than she’d ever been. Blindsided by the unanticipated: she didn’t need a maid. She needed a friend. Oh, but Corno. He couldn’t let that go. What if, finding a companion, she didn’t need him? What if she found other ways to be? Found the conduct she revered was as arbitrary and capricious as that she disdained. Why the very foundations of this house might tremble! So Corno just. . .rearranged the players. Put you over there, me over here. Did what he did best. What we all loved him for. He “took care” of things. Problem was, we loved him best when he “took care” of someone else.

CARMELITA begins rubbing pipe against her face, her neck.

CARMELITA: The way she looked at him in those days, Placid. You should have seen her. Her eyes, alive. Had to see him. All of him. He knew it. He had the thing. The magic. He knew and wasn’t afraid to show he knew. Not like ones who never knew, or ones who kept it inside. He shone. In a way that said we all could shine. As long as he shone brightest. I still smell him. His library, his den. His smell through the carpets, books. This pipe smells of him. Not his tobacco. Him. I imagine his hand against the bowl. The way his hand loved the things he held. The way love glowed trailed from his fingertips. Phosphorescent love lines drawn upon all he touched. Upon my skin. When he touched me.

CARMELITA slips the pipe down her neck. Lower. She slowly sinks behind PLACID’S armchair.

[To be continued]