Photography: Chasing the Light

End of a DayI’m riding the bus home, after an especially long day at work. Pretty beat. Listening to music, Jeff Beck or Radiohead probably, and I’m watching the light get sweeter and sweeter. High, scattered clouds diffusing winter sunlight and becoming increasingly warm as the sun goes down. The sky’s still a rich blue, but it won’t last: the light’s rapidly fading. There’s maybe 15 good minutes left.

Finally, about ten blocks from home, I pull the buzzer. I just have to get out to see what I can find. I shoot a couple of pictures of a church. They don’t amount to much–really, to make it work, I need a graduated filter to balance out the sky and building, and I don’t have one with me. So I turn to walk towards home and see this. Right there, waiting. Just as I raise the camera, two figures enter the frame. I don’t even think–I just hit the shutter. I shoot a couple more in quick succession, but I know somehow–assuming I caught what I saw–that the first one would be the pick. It was.

Winter in the Northwest can be a drag. We joke about it, but we do get an awful lot of rain, and the steady overcast can get to you. A gray stretch can really help you appreciate a little sun. And, given the light’s always at a lower angle, you can shoot all day long with interesting light (unlike summer, where you might as well put the camera away between 11:00 to 6:00, unless you’re shooting an event). The overcast also can be excellent for shooting details–plants can turn out especially nice in monochrome–but the clear light–it can keep you going.

I snagged a couple other decent shots on the walk home, but this was the one I looked forward to downloading. Sometimes, you can just feel it.

About Steve Patterson

Steve Patterson has written over 50 plays, with works staged in Portland, Los Angeles, Chicago, Detroit, Austin, Tampa, and other U.S. cities as well as in Canada and New Zealand. His works include: Waiting on Sean Flynn, Next of Kin, Farmhouse, Malaria, Shelter, Altered States of America, The Continuing Adventures of Mr. Grandamnus, Bluer Than Midnight, Bombardment, Dead of Winter, and Delusion of Darkness. In 2006, his bittersweet Lost Wavelengths was a mainstage selection at Portland Center Stage's JAW/West festival, and, in 2008, won the Oregon Book Award (he also was an OBA finalist in 1992 and 2002). In 1997, he won the inaugural Portland Civic Theatre Guild Fellowship for his play Turquoise and Obsidian. View all posts by Steve Patterson

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